Image of the Fish God' is one of a group of brush drawings in oil paint which led to a series of seven paintings of the same title. Like all Davie?s drawings of this period, the 'Image of the Fish God' drawings were made as a series. Davie would place a dozen or so sheets of paper on the floor, make a similar mark or motif on each, and then add further marks and motifs serially and automatically, continually varying and changing the placement and forms. This would result in a group of drawings featuring a common vocabulary of forms.
Alan Davie (Scottish, born 1920)
Davie was born in Grangemouth, near Edinburgh and studied at Edinburgh College of Art. In 1948 he saw the work of the American Abstract Expressionists and was impressed by their intensity and freedom. Davie abandoned traditional methods of composition and subject matter and sought to free his art from premeditated decision-making. This approach owes much to the artist's interest in Zen Buddhism and there is also an analogy with jazz - Davie was a jazz saxophonist early on in his career. In the later 1950s and 1960s Davie's brushwork became more controlled and the imagery more legible. Mysterious symbols began to appear, found in sources as varied as American Indian pottery, maps, ancient rock-carvings and Aboriginal art.