Gabrielle Keiller acquired this drawing along with a book by Henri Pastoureau in which a reproduction of the drawing serves as the frontispiece. Despite being undated, it can be ascribed with confidence to 1913-4, on analogy with other similar drawings the artist made in Paris before the First World War. Although de Chirico?s drawings relate closely to his contemporary paintings, they were independent compositions rather than preparatory sketches. And, unlike his paintings, they are quite casual in their execution and often, as here, strike a gently humorous note.
Giorgio de Chirico (Italian, 1888 - 1978)
Born in Greece, de Chirico originally studied engineering but instead became a painter. In 1917, together with Carlo Carra, de Chirico founded the brief but significant movement, Metaphysical Painting. De Chirico?s paintings of this time are characterised by stage-sets populated by mannequins and objects removed from their original context; creating a poetic imagery which evokes enigmatic myths and dreams. It was for these paintings that Andre Breton claimed that de Chirico was the pioneer of Surrealism, and, whilst not part of the movement, he was one of the movement?s great heroes. From the late 1920s de Chirico?s style evolved to combine motifs from antiquity and the influence of both Renoir and Rubens.