The Hill of the Winds
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The Hill of the Winds about 1913

On Display Scottish National Gallery

  • Scottish Art
Cameron's austere landscape, first exhibited in 1913, provides a striking contrast to the romantically charged Highland scenery of earlier painters. He emphasises the essential outline and structure of the mountainous range, including bands of deep shadow. Illuminated grassy stretches and clearer patches in the sky which relieve the sombre slopes. Superfluous detail and narrative content are excluded. Nothing detracts from the central peak's overwhelming presence. Cameron's bold, stark etchings certainly informed his painted compositions of this sort. To a certain extent they also reflect Rembrandt's influence and also that of Whistler.

Glossary Open

Composition

The arrangement of different elements in a work of art.

Etching

A form of printmaking in which a metal plate is covered with a substance called a 'ground', usually wax, into which an image is drawn with a needle. Acid is applied, eroding the areas of the plate exposed but not the areas covered by wax. The action of the acid creates lines in the metal plate that hold the ink from which a print is made when the plate is pressed against paper under pressure.

Composition, Etching

Details

  • Acc. No. NG 2080
  • Medium Oil on canvas
  • Size 116.80 x 132.70 cm (Framed: 152.40 x 168.20 x 8.60 cm)
  • Credit Bequest of Robert Younger, Baron Blanesburgh 1947