Edinburgh?s Milne?s Bar on Rose Street was an important place for Bellany during his art college days. It was where Hugh MacDiarmid spent a great deal of time and it was where Bellany and his friends, Alexander Moffat and Alan Bold, joined in with MacDiarmid?s discussions on a range of subjects relevant to their artwork and ambitions. This etching belongs to a series of prints that principally belong to the period from 1982-6. It demonstrates a bolder, more definitive line than his earlier etchings.
John Bellany (Scottish, born 1942)
Bellany was born in the fishing village of Port Seton, near Edinburgh. He studied at Edinburgh College of Art and at the Royal College of Art, London. His work of the 1960s and 1970s deals with original sin, guilt, sex and death. His characteristic paintings are large compositions featuring his own personal symbolism, often derived from the sea and from religion, two elements that dominated his childhood. The flawed nature of humanity is usually central to his paintings. Bellany became seriously ill in the 1980s and underwent a liver transplant operation in 1988, after which his work became more optimistic in mood.