This dark, brooding self-portrait was painted in Hampstead in 1937. It is one of a series of introspective works painted that year, which reflect the artist's depression following a number of setbacks. The Tate Gallery had declined to acquire any of his works for their collection; the situation in Nazi Germany was becoming increasingly black, with Jewish artists forbidden to exhibit; and the Civil War in Bomberg's beloved Spain continued. Bomberg, who was Jewish, became actively involved in anti-fascist activities.
David Bomberg (English, 1890 - 1957)
Born in Birmingham, Bomberg grew up in London's East End. He studied at the Slade School of Fine Art in London from 1911 to 1913. Early in his career Bomberg painted large, near-abstract paintings, based on cubist grid patterns. He associated with Wyndham Lewis's Vorticist group, though he was not an official member. In the 1920s Bomberg's work became more naturalistic and expressive. Although he received little recognition during his life - a cause of deep depression - Bomberg's teaching at the Borough Polytechnic in London was highly influential on both Leon Kossoff and Frank Auerbach.