The Etching Printer - William Strang, 1859 - 1921
© The Artist’s Estate

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The Etching Printer - William Strang, 1859 - 1921 1902
  • Scottish Art
Born in Dumbarton, William Strang was briefly a clerk in the family shipbuilding firm before he entered the Slade School of Art in London in 1876. At the Slade he was deeply influenced by the teaching of Alphonse Legros, particularly the etching class which Legros instituted in 1877. The subject matter of Strang's etchings, largely produced between 1880 and 1900, ranges from intense portraits to scenes of working-class life and imaginary grotesques. By the turn of the century, Strang was developing the symbolic themes of his printed work in oil paintings, using rich colours in a style ultimately influenced by Venetian art. This atmospheric photogravure shows Strang preparing an etching plate, with the wheel of a printing press behind him.

Glossary Open

Etching

A form of printmaking in which a metal plate is covered with a substance called a 'ground', usually wax, into which an image is drawn with a needle. Acid is applied, eroding the areas of the plate exposed but not the areas covered by wax. The action of the acid creates lines in the metal plate that hold the ink from which a print is made when the plate is pressed against paper under pressure.

Photogravure

A photographic negative is transferred onto a copper plate, which can then be manipulated like an etching. It allows for creative working and results in a wide range of tones in the finished work.

Etching, Photogravure

Details

  • Acc. No. PGP 45.21
  • Medium Photogravure on paper
  • Size 15.10 x 19.70 cm
  • Credit Purchased 1993