Vija Celmins (born 1938)

Ocean Surface Wood Engraving 2000
  • © Vija Celmins
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    Ocean Surface Wood Engraving 2000

    Ocean Surface Wood Engraving 2000

    Vija Celmins

    • © Vija Celmins

Artist Rooms

Vija Celmins

Ocean Surface Wood Engraving 20002000

Celmins's intense monochromatic images, based on photographs, focus on small and individual marks in the context of vastness. The images seem fragile because they record a specific human glimpse through a telescope or camera which is frozen in time. Celmins's serial exploration of her subjects, including ocean surfaces, allows the artist to exploit the distinct characteristics of the variety of media she uses. Celmins worked on this wood engraving for a number of years, beginning in 1995. She used an engraving tool rather than a knife to make detailed incisions which produce a variety of markings on the paper, from deep black to the white surface of the waves.

Glossary Open

Engraving

The printmaking technique in which an image is inscribed on a copper plate with a tool that cuts a groove in the surface. This groove holds the ink that creates the print when it is applied to paper. Also refers to the method of making an incision on a material such as glass.

Medium/ media

The material from which an artwork is made, e.g. oil paint, bronze, paper. 'Medium' is also used for the liquid element of paint in which a colouring agent is carried. 'Mixed media' is used when an artist combines several different materials in an artwork.

Monochrome

An image made with a single colour.

Engraving, Medium/ media, Monochrome

Details

  • Accession no. AR00473
  • Medium Wood engraving on paper
  • Size 20.70 x 25.70 cm (paper 52.70 x 43.70 cm) (framed: 57.00 x 47.80 x 3.80 cm)
  • Credit ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and The Art Fund 2008