This work comprises a fragment of found paper, printed to look like a wall of red bricks. The strategy of creating a drawing from found material suggests the influence of both Marcel Duchamp and Pablo Picasso and Georges Braque?s cubist still life collages in which they used paper printed to replicate wood-grain to represent wooden objects. The paper that Therrien uses is similar to the type found in children?s dollhouses, yet placed within a frame, the paper is transformed into an abstract composition.
Robert Therrien (American, born 1947)
The American artist Therrien is renowned for his large-scale sculpture installations of common objects that subvert the viewers? notion of the familiar, and encourage them to reconsider their perception of space. His early works were based on instantly identifiable motifs, which were simplified and reproduced as monochromatic reliefs - suspended somewhere between painting and sculpture. In the early 1990s he began to explore the viewer?s relationship with scale. With his recreations of tables and chairs large enough to walk under, Therrien transports the viewer into a fantastical, but slightly unsettling, parallel universe. Born in Chicago, he studied at the University of Southern California and currently lives and works in Los Angeles.