Self Portrait Standing, Three Times, 17.3.1991
© Gerhard Richter

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Self Portrait Standing, Three Times, 17.3.1991 1991
  • Artist Rooms
As well as painting canvases based on photographic images since 1989, Richter has also painted actual photographs to create works. In doing so, he has emphasised the surface reality of the pain interacting with the forms in the photographs. In this serial work, Richter has used six identical prints of a photograph, which consists of a triple exposure of the artist standing in his studio. On each successive print, he applied more and more paint using a squeegee and a brush, so that the final work disappears completely, as does his studio. Only paint remains – perhaps representing the artist’s notorious unwillingness to reveal himself.

Glossary Open

Print

An image pressed or stamped onto paper or fabric. This encompasses a wide variety of techniques, usually produced in multiples, although one-off prints, known as monoprints, are also included. The term is also applied to photographic images.

Print

Details

  • Acc. No. AR00182
  • Medium 6 photographs, gelatin silver print on paper with oil paint
  • Size Each: 50.50 x 56.50 cm
  • Credit ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008