During the mid 1970s Ruscha made a series of drawings in pastel using pithy phrases against fields of colour. The sentences and phrases evoke American vernacular and slang, draw attention to a particular experience, or recall the excesses of Hollywood culture. In a number of these works Ruscha draws attention to his own work and to the practice of other conceptual artists working at the time. Here, he appears to make light of the serious intentions of such artists.
Ed Ruscha (American, born 1937)
Ruscha was born in Omaha, Nebraska. He grew up in Oklahoma and studied in Los Angeles. Ruscha's work is diverse and experimental. Since childhood he has been interested in commercial art, in the form of advertising, comic books and magazines. This led to his first paintings featuring words, produced in the late 1950s. Ruscha is equally known for his books of deadpan photographs, such as 'Twenty-six Gasoline Stations' of 1963 and volumes of banal photographs of buildings. In his work Ruscha aims to challenge accepted concepts of language and meaning, often by combining unrelated words and images.