Self -Portrait Strangulation
? The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York / DACS, London 2009

Reference URL

Self -Portrait Strangulation 1978
  • Artist Rooms
Warhol drew and painted self-portraits since he was a teenager. He was dissatisfied, to the point of obsession, with the way he looked and was very careful with the way he both presented himself artistically and marketed his image. In these six works (displayed as a group) he shows himself seemingly in a life-threatening situation. The hands of an unseen assailant strangle him, while his eyes are directed heavenward rather like a martyred saint. The predominantly dark colours, some partly obscuring his head, as well as the `expressionist? brushwork, give the paintings a distinctly ominous feel. Warhol was shot and critically injured in 1968 and, although death was a recurring theme in his work since the early 1960s, this experience heightened his fears about dying.

Glossary Open

Expressionism

A style that made an impact in the arts in the 1920s, particularly in Germany. Expressionists deliberately abandoned realistic representation techniques in favour of exaggerations and distortions of line and colour that were intended to carry far greater emotional impact.

Martyrdom

Death due to a person's adherence to a religious faith. It is also used to describe prolonged or extreme suffering of any kind.

Expressionism, Martyrdom

Details

  • Acc. No. AR00503
  • Medium Acrylic and silkscreen on canvas
  • Size Each part: 40.60 x 33.00 cm (framed: 132.20 x 74.40 x 8.00 cm)
  • Credit ARTIST ROOMS National Galleries of Scotland and Tate. Acquired jointly through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008